INTERIOR DESIGN VISUAL PRESENTATION 4TH EDITION FREE Author: Maureen Mitton ISBN: 9781118173244 Download Link: CLICK HERE
Reading Free Interior Design Visual Presentation 4th Edition Thank you for your feedback. Sorry, we failed to record your vote. Please try again. I will be studying it for a while now: Shipment was fast and without any issues. Book is new, no scratches or anything. Needed for school. Exactly what was described. Great book. You've read the top international reviews. Customers who viewed this item also viewed. Interior Design Illustrated. Architecture: Form, Space, and Order. There's a problem loading this menu right now. Learn more about Amazon Prime. Get free delivery with Amazon Prime. Back to top. Get to Know Us. Amazon Payment Products. Recognizing the ongoing proliferation of digital tools for visual representation, this edition provides the latest information on 2D design presentation software, such as Photoshop, SketchUp, Revit, and AutoCAD. Dozens of high-quality, full-color illustrations highlight step-by-step instructions detailing techniques and approaches throughout the book. Standout features of this new edition include: Discrete chapters devoted to manual, freehand, and digital drawing Numerous examples of quick- sketching techniques as well as computer-generated, 3D representations using Google SketchUp and other software Updated coverage of graphics, composition, and organization of presentations A range of examples from small residential student projects to huge public interior spaces designed by leading professionals New coverage of rendering In-depth coverage of a wide range of material sample presentation boards From traditional to cutting-edge techniques, Interior Design Visual Presentation, Fourth Edition gives students and professionals alike the tools to give visual life to their design vision. Product Code Product ISBN: Harwood, Bouie. Henley, Pamela. Interior Design Practicum Exam Workbook. Karlen, Mark. Space Planning Basics. Koberg, Don, and Jim Bagnall. The Universal Traveler. Menlo Park, Calif. Problem Seeking. Washington, D. It Many designers create
these drawings by is important to note that these three-dimen- hand, but computers are increasingly used for sional views also known as pictorial draw- the generation of perspective drawings. Some ings are useful at every phase of the design designers state that they can explore the total process. Pictorial drawings work well in the volume of a space in the preliminary design various phases of the design process as a phases only when drawing it in perspective by method of examining and refining ideas, and hand. Many designers have mentioned that should not be reserved merely as a means of they use a combination of hand sketching and final project presentation. The purpose of this chapter is to present a Increasingly design graduates are expected wide range of three-dimensional drawing to have the ability to create three-dimensional methods and procedures. These methods views both by hand and with the use of comput- range from freehand sketches to measured, ers. This is because understanding the basics of hard-lined perspective illustrations. Students creating hand-drawn three-dimensional views al- of design should seek a method or methods lows a designer to work more effectively by com- that work well for them as individuals. The puter and also grants the ability to create quick goal, then, is to find drawing methods that are sketches in client meetings and elsewhere. Software used mensional views allow for a single depiction of by those working this way includes AshlarVel- a large portion of an interior space. Oth- of drawing can also help clients to clearly un- ers generate two-dimensional design drawings derstand the design of a project. Mark- tions on a range of hand-drawn perspective ing pens also eliminate the use of erasers, methods. However, given the range of software which actually helps with visualization. This available, there are no explicit directions on cre- approach is tough at first but worth the effort. It is also worth noting that structed in pencil on tracing paper, with many hand-drawing works effectively early in the layers of paper and a variety of colored pencils schematic design phase as a means of generat- used. These drawings often require the use of ing many varied ideas about a given space. The final hard-lined meas- in this chapter will help a designer generate a ured paraline or perspective line drawing is wide range of ideas rapidly without first creat- often done on high-quality vellum or drafting ing plans and elevations. This al- Pictorial drawings are created as line draw- lows for the line drawing to be reproduced by a ings or wire frames and used as such in pre- variety of reprographic methods on a variety sentations or are rendered upon completion. Once reproduced, the drawing may Some perspective and paraline line drawings be incorporated into a presentation with or work very well in communicating a design to without rendering. Information on rendering an audience without the addition of value or and reprographics is available in Chapter 5. Although there are several drawings are similar to those used in ortho- types of paraline drawing, all share common graphic projection drawings and the other characteristics: 1 paraline drawings have par- forms of graphic communication mentioned allel lines drawn as parallel, and lines do not previously. An abundance of tracing paper is converge to vanishing points; 2 vertical lines probably the most important material in the pro- are drawn as true verticals in paraline draw- duction of perspective drawings. The trans- ings; and 3 paraline drawings are drawn parency and low cost of tracing paper make it using some method of proportional scale. When One type of paraline drawing commonly used tracing paper is used as an overlay, a variety of in the communication of interior environments colored pencils can be used as a visual aid in the is known as a PLAN OBLIQUE. Figure pro- construction of three-dimensional drawings. Plan obliques can be constructed construction of three-dimensional views when quickly because they are drawn by projecting working by hand. Although the choice of im- directly off the floor plan. The most common angles two angles that together equal 90 degrees. Ver- of plan rotation or orientation are 30 de- tical elements are drawn by projecting loca- FIGURE Quick reference: plan oblique construction. Rotate scaled plan to appropriate angles shown here, 30 degrees—60 degrees and 45 degrees—45degrees. Draw vertical lines upward to appropriate height in scale. Lines parallel to the base plane the floor plan are drawn at the same angles as plan. Circles found on the plan and its parallel planes are drawn as circles. Circles found on vertical planes are drawn as ellipses. Create an enclosing box to measure and locate nonaxonometric lines. Create an enclosing box to measure and plot irregular and curvilinear lines and planes. Horizontal elements are drawn using parallel in plan oblique drawings. Because they are generally projected from However, although they are a simple and effec- existing plans, these drawings are created tive means of visualization for the designer, quickly and can be used throughout the design they can be confusing for clients who are not process as an aid in seeing and understanding accustomed to viewing this type of drawing. The angle of rotation Figures , , and are examples of plan changes the orientation of the drawing and oblique drawings. Often plan obliques em- the use of degree angles. Unlike plan ploy some method of visual elimination of obliques, isometrics cannot be constructed by portions of walls to depict the space success- simple rotation and projection of the plan. In- fully. This is often done by cutaway views or stead, the drawing of an isometric requires the by ghosting in portions of walls. All elements that are parallel to the ground Circles found in the true-size planes on plan plane are drawn at 30 degrees. As in other oblique drawings retain their true size and types of paraline drawings, vertical elements form. This means that a true circle found in a remain vertical in isometric drawings. Scale plan and on surfaces parallel to the plan re- measurements can be made along any of the mains a true circle in a plan oblique. Circles or three principal axes x, y, and z. Figure curvilinear lines found on the vertical non- provides a quick reference of isometric con- frontal planes those drawn at angles extend- struction.
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