the art of the helpful gis presentation
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The Art of the Helpful GIS Presentation David Howes, Ph.D . David - PowerPoint PPT Presentation

The Art of the Helpful GIS Presentation David Howes, Ph.D . David Howes, LLC, Seattle, WA Jason Pardy Jason Pardy Consulting, Rancho Mirage, CA Matt Stevenson, MUP CORE GIS LLC, Seattle, WA Parker Wittman Aspect Consulting, Seattle, WA


  1. St Styl yle • Be purposeful • Style should support message • Can reflect your personality

  2. De Deliver very • Write down what you’ll say as a learning aid, but don’t read it • Maintain a flow • Always know what’s on the next slide

  3. Don’t Build Walls!

  4. Hu Humor or • Be careful • Pre-canned humor almost never works • Be respectful

  5. Ov Over erall all Con onsider iderations ations • Respect your audience - avoid doing them a disservice • Earn a reputation for quality • Be helpful

  6. Foc ocus us Top opics cs • General considerations - David • Delivery matters - Parker • Visual considerations - Matt • Technical presentations - Jason

  7. SO HOW DO WE DO THIS WELL?

  8. BE ENGAGING AND MAKE IT MEANINGFUL. (AND BE HELPFUL, OF COURSE!)

  9. PRESENTATIONS ARE BORING. PEOPLE ARE INTERESTING.

  10. COMMUNICATE FROM THE OVERLAP

  11. …AND CREATE COMMON GROUND AS YOU PRESENT

  12. THE PERILS OF THE ‘WHAT DID I DO LAST SUMMER’ GIS PRESENTATION.

  13. FACT THING THING THING FACT THING THING FACT THING FACT FACT THING THING THING THING FACT FACT FACT THING FACT THING THING FACT THING FACT FACT FACT FACT

  14. HOW TO PREPARE LIKE A STORYTELLER

  15. 1 2 3 GENERATE FILTER CLUSTER IDEAS Adapted from Nancy Durante’s Resonate (2010)

  16. 4 5 6 NOTE THE CREATE ARRANGE “MOMENTS” MESSAGES 4 4 Turning 1 point 2 1 1 3 Don’t get 3 3 stuck here!! 4 8 8 5 AHA! 5 5 6 6 6 Turning 7 point 7 7 8 2 2 Adapted from Nancy Durante’s Resonate (2010)

  17. 7 VISUALIZE 4 4 g n 1 9 1 3 / : / L 8 * 7 r s 5 ] 6 = 7 @ ^ # 5 { 2 + Adapted from Nancy Durante’s Resonate (2010)

  18. Foc ocus us Top opics cs • General considerations - David • Delivery matters - Parker • Visual considerations - Matt • Technical presentations - Jason

  19. VIS ISUALS ALS

  20. AUDI DIENCE ENCE Non-practitioner Practitioner

  21. NO NON-PRA PRACTITIONER CTITIONER Do not assume geographic literacy — orient your audience

  22. US USE MAP APS S TO TELL L A S A STORY ORY Image Segmentation GIS Data Se Segment Clu lustering: WEKA data mining software (using expectation maximization algorithm)

  23. BUT DON’T OVERDO IT

  24. SMAL SM ALL L MUL ULTI TIPLE PLES MSC Myer Klump B-12 Location MacLearnsberry MacLearnsberry 2 Wiltermood Wiltermood 2 Wiltermood 3

  25. MORE RE SM SMAL ALL L MUL ULTI TIPLES PLES 1. Identify islands 2. Prepare network 3. Prepare targets 5. Sum structures 4. Create service areas

  26. US USE EXAM AMPLES PLES When trying to explain a complex GIS analysis, you could uld say something like: “We determined channel elevation differences using bare earth LiDAR to extract heights from the channel center line, followed by a Euclidean allocation to assign those heights to all adjacent cells, then subtracted the result from the original LiDAR raster” …or you could just show a couple of pictures.

  27. October 1, 2015 Skykomish Basin Mapping 79

  28. KE KEEP P CO COLORS LORS CO CONSIS SISTENT TENT

  29. US USE MUL ULTI TIPLE PLE SO SOUR URCES CES

  30. PR PRESEN SENTING TING ON CAR ARTOGRAPH OGRAPHY • Sometimes it can be challenging to describe what is essentially a creative process. But we must try • The best way to talk about mapping is to show a lot of maps • You can assume a LOT of technical knowledge! Some slanguage is okay

  31. HOW HOW TO DR O DRAW AN OWL N OWL

  32. STEPWISE PWISE EXPL PLAN ANATI TIONS ONS Think of it as a cooking show for cartography

  33. The Finished Product

  34. ArcMap Step 1: Set map extent based on area of interest and map elements

  35. Step 2: Add additional boundaries (counties, cities) and major transportation features

  36. Step 3: Add protected lands, highly desaturated palette

  37. Step 5: Add visual depth and geographic context to the map by using bathymetry

  38. Step 6: Add even more visual depth by overlaying transparent hillshade derived from bathymetry

  39. Step 7: Add annotation

  40. Step 8: Add areas of interest (coral reefs, Shark River Slough, etc)

  41. Step 9: add semi- transparent mask to focus map readers’ attention on the features within the boundary

  42. Photoshop Step 1: Export TIFF from ArcMap, open in Photoshop and create a new PSD

  43. Step 5: Finished PSD

  44. US USE INSET SETS S TO O OVERCOME OME RESOLUTI SOLUTION ON LI LIMIT MITATIONS TIONS

  45. INCLUDE “HOW TO” DETAILS Step 4: Add Dropshadow FX

  46. IN INCL CLUDE UDE DATA A SO SOUR URCES CES Here’s where you can get great bathymetry: http://www. ngdc.noaa.g ov/mgg/coas tal/startcrm. htm

  47. BE BEST OF AL ALL, , LIN INK K TO VID IDEOS

  48. Foc ocus us Top opics cs • General considerations - David • Delivery matters - Parker • Visual considerations - Matt • Technical presentations - Jason

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