NGEPAN BATANG AI (IBAN WOMEN TRADITIONAL ATTIRE) PRESENTATION - PDF document

tAALA Ys , j9 9 ,,, 9ý -Iqmmmlr-,. 1 / 1 I I r. r IS , 1 I I 1 NGEPAN BATANG AI (IBAN WOMEN TRADITIONAL ATTIRE) PRESENTATION THROUGH LIGHT PAINTING PHOTOGRAPHY Jusy Sambai Anak Javeril Ijazah Sarjana Muda Seni Gunaan dengan Kepujian (Seni Halus) 2018

NGEPAN BATANG Al (IBAN WOMEN TRADITIONAL ATTIRE) PRESENTATION THROUGH LIGHT PAINTING PHOTOGRAPHY JUSY SAMBAI ANAK JAVERIL This project is submitted in partial fulfillment of for the degree of Bachelor of Applied Arts with Honours the requirements (Fine Art) Faculty of Applied and Creative Arts UNIVERSITI MALAYSIA SARAWAK

UNIVERSITI MALAYSIA SARAWAK Grade: Please tick (v) 0 Final Year Project Report Masters 0 PhD 0 OF ORIGINAL WORK DECLARATION is made on the Monday of Mei 2018. This declaration Student's Declaration: OF APPLIED AND CREATIVE ANAKJAVERIL (54330) from FACULTY SAMBAI I JUSY NGEPAN BATANG Al (IBAN WOMEN TRADITIONAL hereby declare that the work entitled ARTS is my original work. I have THROUGH LIGHT PAINTING PHOTOGRAPHY ATTIRE) PRESENTATION due reference work or from any other not copied from any other students' except where or sources for me by another in the text, nor has any part been written is made explicitly a acknowled person. Ff'rT17 8 jun i. 2018 r/I WVP Date Submitted upervisor's Declaration: ZAINAL ABIDIN hereby PROF. HJ. ZULKALNAIN that the work I ASSOCIATE certifies entitled NGEPAN BA TANG AI (IBAN WOMEN TRADITIONAL ATTIRE) PRESENTATION THROUGH by the above named student, to the LIGHT PAINTING PHOTOGRAPHY prepared and was submitted ARTS for the conferment of BACHELOR OF APPLIED "FACULTY" as a * partial/full fulfillment work, to the best of my knowledge, is (FINE ARTS), WITH HONOURS and the aforementioned the said student's work. ASSOC. PROFESSOR LYZ 7LfALNAIN ZAINAL N Date: ý (X i

I declare that Project/Thesis is classified as (Please tick (ý) : 0 CONFIDENTIAL (Contains confidential information under the Official Secret Act 1972)* E-1 RESTRICTED (Contains restricted information as specified by the organization where research was done)* OPEN ACCESS Validation of Project/Thesis I therefore duly affirm with free consent and willingly declare that this said Project/Thesis shall be placed officially in the Centre for Academic Information Services with the abiding interest and rights as follows: This Project/Thesis is the sole legal property of University Malaysia Sarawak " (UNIMAS). The Centre for Academic Information Services has the lawful right to make copies for " only and not for other purpose. the purpose of academic and research The Centre for Academic Information Services has the lawful right to digitalise the " content for the Local Content Database. The Centre for Academic Information Services has the lawful right to make copies of " for academic exchange between Higher Learning the Project/Thesis Institute. No dispute or any claim shall arise from the student itself neither third party on this " Project/Thesis once it becomes the sole property of UNIMAS. This Project/Thesis data and information to it shall not be or any material, related " distributed, to any party by the stud e ith UNIMAS published -disclosed xc permission. Student signature /ý) Madva Hi Zulkalnain Zainal Abidin Locturer Fakulti Seni Gunaan r1. v Kreatif Current Address: UNIVERSITI MALAYSIA SARAWAK LOT 1292 LORONG 4A/2, TAMAN HARMONI, 95000. SRI AMAN, SARAWAK is CONFIDENTIAL or RESTRICTED, Notes: * If the Project/Thesis together please attach as a letter from the organisation with the period and reasons of confidentiality and annexure restriction. by The Centre for Academic Information is duly prepared Services] [The instrument 11

DECLARATION WOMEN BATANG Al (IBAN TRADITIONAL ATTIRE) The NGEPAN entitled project by JUSY SAMBAI PRESENTATION THROUGH LIGHT PAINTING PHOTOGRAPHY was prepared Faculty of Applied Creative Arts in to the JAVERIL ANAK and and submitted for a Bachelor of Applied Arts with Honours (Fine of the requirements partialfulfillment Art). UýLNAIN (PROF. MADYA H ZAINAL ABIDIN) Penyelia III

AND GRATITUDE APPRECIATION I, Jusy Sambai Anak Javeril, hereby, want to take this opportunity to thank everyone upon the completion of this Final Year Project and Final Year Project Reports. To Associate Professor Zulkalnain Zainal Abidin, thank you so much on your support and guidance throughout this semester for me to complete this Final Year Project, on giving me a lot of brilliant ideas in order for me to create an artwork. To beloved family, thank you so much for always believing in me and your endless support in terms of money and love. I am also would like to express my gratitude to Fine Art lecturers and technicians especially Mr Yassir bin Bujang, Puan Liza and Mr Mohammad Saufian bin Suhaili on their contributions on this project. To my beloved friends, especially Ms Anastasia Shirley Busan, Mr Cobasky Fenninmore, Ms Dina David, Ms Lucyana Shuma, Mr Ivor Kana and Ms Mercellinnie Paderek thank you so much on helping me doing my Final Year Projects artworks. Not forget, I also would like to thank everyone, no matter directly and indirectly who had helped me out in this journey. May the Lord God bless you all. iv

Contents Page Declaration 1 - 111 Appreciation iv Contents v- vi Abstract vii Abstrak viii Chapter 1 : Introduction 1 1.1 Problem Statement 2 1.2 Research Questions 2 1.3 Objectives 2 1.4 Scope of Research 3 1.5 Significant of the Research 3 Chapter II : Literature Review 4 2.1 Culture 4 2.2 Than Ethnic 5 2.3 Than traditional 6 costumes 2.4 Ngepan Batang Ai 7 2.5 Uniqueness 9 2.6 Light painting photography 10 2.7 How photography act as visual message 11 2.8. Visual arts 12 V

Contents Page Chapter III : Research Methodology Introduction 13 Source(s) 14 - 15 Chapter IV : Research Findings 4.1 Introduction 16 4.2 Impact of the photography on the Than culture 16 4.3 The Art fundamental on Ngepan Batang Ai analysis 17 - 18 light painting 4.4 The process of photographing 19-21 4.5 Materials 22 used 4.6 Technical process on photographing light painting 22 4.7 The Ngepan Batang Ai presentation light painting through 23 - 30 photography V : Conclusion Chapter 31 References 32 - 33 Attachments 34 - 36 VI

ABSTRACT and the Than culture in between photography This research is about the connection Sarawak. Light painting photography technique was applied in presenting the Than traditional attire in Sarawak. This research was also to analyze the art fundamentals on the Ngepan Iban. Other than that, this research was aimed to come out with an artwork by using photography approach presenting Iban's culture. The data would be collected from books, internets, online newspapers, and interviews. For instance, the data collection for theories and concepts of light painting photography was done through reading of books and online websites. The researcher indeed Meanwhile, an interview session was understood more about the light painting photography. conducted between the researcher and the Ngepan owner in Sarawak to get the information on the costume. The interview process helped the researcher to get an accurate and reliable source of Using all the accumulated data, the researcher utilized and information from the respondent. created a new interpretation and intellectual perspective throughout the whole research. KEYWORDS Light painting photography, cultural object, visual art, art fundamentals, presentation VII

ABSTRAK ini adalah tentang hubungkait fotografi dan budaya Than di Sarawak. Lukisan Kajian pakaian tradisional masyarakat Than di fotografi cahaya akan digunakan bagi mempersembahkan Sarawak. Seterusnya, untuk menganalisis elemen seni yang terdapat pada ngepan tersebut. Akhir dan mempersembahkan karya seni yang menggunakan untuk menghasilkan sekali, adalah fotografi lukisan cahaya. Segala maklumat dan data berkaitan diperolehi daripada pendekatan buku, internet, suratkhabar dalam talian, dan juga temuramah. Sebagai contoh, teori dan konsep dan juga di laman web. Dengan fotografi lukisan cahaya boleh didapati dalam bentuk buku demikian, pengkaji akan lebih faham akan fotografi lukisan cahaya. Dalam pada itu, kaedah ternuramah pengkaji bersama pemilik ngepan tersebut dalam mendapatkan maklumat yang betul dan juga sah ih. Dengan menggunakan data-data yang terkumpul, pengkaji akan menggunakan dan mengolah pemahaman baru dalam bentuk iritelektual di dalam seluruh kajian ini. KATA KUNCI : Fotografi lukisan cahaya, objek budaya, seni visual, asas seni, persembahan VIII