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RELATING WORD AND IMAGE Word and Image CDIL-305 Nick Edlund t Type and image are the visible elements of design There is a natural contast between forms. How can we relate them to create harmony? Position Layering Artists have


  1. RELATING WORD AND IMAGE Word and Image CDIL-305 • Nick Edlund

  2. t Type and image are the visible elements of design There is a natural contast between forms. How can we relate them to create harmony?

  3. Position Layering Artists have developed Spacial Cues several ways to relate these opposites. Shared Characteristics Word as Image

  4. 1 POSITION Nearness connects, distance separates

  5. t E L P P A PROXIMITY IS RELATIVE

  6. t H C A E P A N A N A B E L P P A VAGUE TYPE AND IMAGE RELATIONSHIP

  7. t PEACH APPLE BANANA CLEAR TYPE AND IMAGE RELATIONSHIP

  8. CREATIVE TYPE AND IMAGE RELATIONSHIP

  9. 2 LAYERING Ultimate Nearness APPLE APPLE

  10. IMAGE OVER TYPE Bernhard, Lucian

  11. IMAGE OVER TYPE

  12. IMAGE OVER TYPE

  13. TYPE OVER IMAGE Bernhard, Lucian

  14. TYPE OVER IMAGE

  15. LAYERING CAN OBSCURE LEGIBILITY! A Fake Parent’s Magazine cover by Andrew Hearst

  16. Spacial Cues 3a ALIGNMENT When image and type align they are unifjed

  17. Centering image with text, is a classic word-image arrangement. But it is overused.

  18. Spacial Cues 3b SIZE When height or width of type is equal to the image, they are more unifjed APPLE

  19. magnis vo ius, quassum andit fugias consed moluptatur, lorecti ariae necte ssinc- conserissum quam quia ditasitas repuda nisquid quibus et liqui tem quam ant, temquam quatia evelita soluptam entent, ad ma simus. taturepe Ullaccatem que nonem nobit molo pores alitas eiciaep quat labo. Nam aceperum nestis eaquis dem quam fugitat. sequas erferch ici- Meniam, cus nonsequam ate dolum am qui utenitius, omnia et et et harum esto et alit, explam ate dolum am qui utenitius, omnia et et et harum esto et alit, explam venihic- quias aut at quis auditatur Me sintem lab tus quodi quam, te dunte quisci bereius qui utaquatem. ius re nihilicium la delit mi, solorendis cuptatus simusci reria t aut estias vit, te eni acera dipsam quatem eos erum Adicitendae. Itate magnis vo ius, quassum andit A TEXT BLOCK OR TITLE THAT MATCHES fugias consed moluptatur, lorecti ariae necte ssinc- conserissum quam AN IMAGE’S WIDTH RELATES THE TWO quia ditasitas repuda nisquid quibus et liqui tem quam ant, temquam quatia evelita soluptam entent, ad ma simus. Adicitendae. Itatet aut estias vit, te eni acera dipsam quatem eos erum taturepe Ullaccatem que nonem ius, quassum andit am, con conetus ime doluptatur sequid magnis vo nobit molo pores alitas eiciaep lorecti ariae necte omnis voles corescim fugias consed moluptatur, conserissum quam quidia vellorem. Si re voluptassunt voloria ssinc- quat labo. Nam aceperum nestis eaquis dem quam fugitat. tem quam ant, temquam quia ditasitas repuda nisquid quibus et liqui sequas erferch ici- Meniam, cus nonsequam quatia evelita soluptam entent, ad ma simus. ate dolum am qui utenitius, omnia et et et harum esto et alit, explam ate dolum am qui utenitius, omnia et et et harum esto et alit, explam Ullaccatem que nonem fugita dicid magnat is qui ommolup taturepe venihic- quias aut at quis auditatur

  20. magnis vo ius, quassum andit fugias consed moluptatur, lorecti ariae necte ssinc- conserissum quam quia ditasitas repuda nisquid quibus et liqui tem quam ant, temquam quatia evelita soluptam entent, ad ma simus. taturepe Ullaccatem que nonem nobit molo pores alitas eiciaep quat labo. Nam aceperum nestis eaquis dem quam fugitat. sequas erferch ici- Meniam, cus nonsequam ate dolum am qui utenitius, omnia et et et harum esto et alit, explam ate dolum am qui utenitius, omnia et et et harum esto et alit, explam venihic- quias aut at quis auditatur Me sintem lab tus quodi quam, te dunte quisci bereius qui utaquatem. ius re nihilicium la delit mi, solorendis cuptatus simusci reria t aut estias vit, te eni acera dipsam quatem eos erum Adicitendae. Itate magnis vo ius, quassum andit A TEXT BLOCK AND/OR TITLE THAT MATCH- fugias consed moluptatur, lorecti ariae necte ssinc- conserissum quam ES AN IMAGE’S WIDTH RELATES THE TWO quia ditasitas repuda nisquid quibus et liqui tem quam ant, temquam quatia evelita soluptam entent, ad ma simus. Adicitendae. Itatet aut estias vit, te ssinctem quam ant, temquam quia taturepe Ullaccatem que nonem eni acera dipsam quatem eos erum ditasitas repuda nisquid quibus et nobit molo pores alitas eiciaep ius, quassum andit am, con cone- liqui quatia evelita soluptam en- quat labo. Nam aceperum nestis eaquis dem quam fugitat. tus ime doluptatur sequid magnis tent, ad ma simus. sequas erferch ici- Meniam, cus nonsequam vo lorecti ariae necte omnis voles Ullaccatem que nonem fugita di- ate dolum am qui utenitius, omnia et et et harum esto et alit, explam ate dolum am qui utenitius, omnia et et et harum esto et alit, explam corescim fugias consed molupta- cid magnat is qui ommolup tat- venihic- quias aut at quis auditatur tur, conserissum quam quidia vel- urepe pores alitas eiciaep eritibus

  21. Matching dimensions strengthens visual connections made with alignment

  22. Spacial Cues 3c SHARED SPACE WHEN IMAGE AFFECTS TYPE , E . T A L E R Y E H T

  23. Type, image and space can be arranged like are puzzle pieces in a design.

  24. 4 SHARED CHARACTERISTICS Treatment, direction, angle, color, texture etc!

  25. HOW ARE SHARED CHARACTERISTICS UNIFYING THIS POSTER?

  26. Multiple strategies strengthen the image–word relationship.

  27. Seigfried Odermatt

  28. A P P L E

  29. — End —

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