venice through the lens of instagram a visual narrative
play

Venice through the Lens of Instagram: A Visual Narrative of Tourism - PowerPoint PPT Presentation

Venice through the Lens of Instagram: A Visual Narrative of Tourism in Venice Luca Rossi 1 , Eric Boscaro 2 , Andrea Torsello 2 1. Aston University, United Kingdom 2. Universit Ca Foscari Venezia, Italy The 8th International Workshop on


  1. Venice through the Lens of Instagram: 
 A Visual Narrative of Tourism in Venice Luca Rossi 1 , Eric Boscaro 2 , Andrea Torsello 2 1. Aston University, United Kingdom 2. Università Ca’ Foscari Venezia, Italy The 8th International Workshop on Location and the Web, 24 April 2018, Lyon, France

  2. The tourism industry has boasted virtually uninterrupted growth over time • International tourist arrivals have increased from 25 million globally in 1950 • to 278 million in 1980, 674 million in 2000, and 1,235 million in 2016 Source: https://www.e-unwto.org/doi/pdf/10.18111/9789284419029

  3. Tourists make an increasing use of photo-sharing social media like • Instagram and Flickr to share their experiences online Geotagged data provides a rich source of information to study tourism • consumption

  4. The city of Venice (Italy) provides an interesting case study, being one of • the most popular destinations in one of the world most visited countries Source: http://blog.euromonitor.com/2016/01/top-100-city-destinations-ranking-2016.html

  5. Dataset • We retrieve 90,000 geotagged Instagram photos taken in Venice from Jan 2014 to Dec 2015 • We group these images into 6 categories

  6. Dataset • We retrieve 90,000 geotagged Instagram photos taken in Venice from Jan 2014 to Dec 2015 • We group these images into 6 categories Lagoon

  7. Dataset • We retrieve 90,000 geotagged Instagram photos taken in Venice from Jan 2014 to Dec 2015 • We group these images into 6 categories Townscape

  8. Dataset • We retrieve 90,000 geotagged Instagram photos taken in Venice from Jan 2014 to Dec 2015 • We group these images into 6 categories Art

  9. Dataset • We retrieve 90,000 geotagged Instagram photos taken in Venice from Jan 2014 to Dec 2015 • We group these images into 6 categories Folklore

  10. Dataset • We retrieve 90,000 geotagged Instagram photos taken in Venice from Jan 2014 to Dec 2015 • We group these images into 6 categories Food

  11. Dataset • We retrieve 90,000 geotagged Instagram photos taken in Venice from Jan 2014 to Dec 2015 • We group these images into 6 categories Other

  12. Dataset • We retrieve 90,000 geotagged Instagram photos taken in Venice from Jan 2014 to Dec 2015 • We group these images into 6 categories Lagoon Townscape Art Folklore Food Other

  13. Image classification framework • We create a training set of 600 manually annotated images, 100 per class • With this training set, we classify the remaining images using a combination of SIFT features, BOW representations and SVM classifiers http://www.ics.uci.edu/~majumder/VC/211HW3/vlfeat/doc/overview/sift.html

  14. Image classification framework • We create a training set of 600 manually annotated images, 100 per class • With this training set, we classify the remaining images using a combination of SIFT features, BOW representations and SVM classifiers http://www.ics.uci.edu/~majumder/VC/211HW3/vlfeat/doc/overview/sift.html

  15. Image classification framework • We create a training set of 600 manually annotated images, 100 per class • With this training set, we classify the remaining images using a combination of SIFT features, BOW representations and SVM classifiers http://vgg.fiit.stuba.sk/2015-02/bag-of-visual-words-in-opencv/

  16. Image classification framework • We create a training set of 600 manually annotated images, 100 per class • With this training set, we classify the remaining images using a combination of SIFT features, BOW representations and SVM classifiers • We perform 5-fold cross validation to compute the average classification accuracy of the classifier (68%)

  17. 1st classifier: confusion matrix • Low misclassification rate for every class Lagoon 73 11 2 6 0 8 except Other 7ownVFape 11 72 2 8 0 7 – Over 50% Art 1 12 71 4 1 11 Folklore 0 10 11 64 7 8 misclassification Food 0 2 5 2 86 5 rate for this class! VarLeV 3 15 12 16 12 42 7ownVFape Folklore Lagoon Food VarLeV Art

  18. 1st classifier: confusion matrix • We can reduce this issue by artificially Lagoon 73 11 2 6 0 8 increasing the 7ownVFape 11 72 2 8 0 7 probability of Art 1 12 71 4 1 11 assigning an image to Folklore 0 10 11 64 7 8 Other Food 0 2 5 2 86 5 – Multiply prob of VarLeV 3 15 12 16 12 42 7ownVFape Folklore Lagoon Food VarLeV Art assigning to 
 Other by M

  19. 2nd classifier: confusion matrix • M is optimised through 5-fold cross- Lagoon 68 5 1 4 2 20 validation on the 7ownVFape 9 68 1 7 0 15 training set Art 0 7 65 0 0 28 • Optimal value is Folklore 0 8 8 55 5 24 Food 0 0 4 0 77 19 found to be M=2 9arLeV 0 9 4 2 6 79 7ownVFape Folklore Lagoon Food 9arLeV Art

  20. Misclassified photos: example Other Townscape (wrong) (wrong)

  21. Misclassified photos: example Townscape Folklore (correct) (correct)

  22. Categories distribution 30000 2014 1umber oI ImageV 25000 2015 20000 15000 10000 5000 0 TownVFape Lagoon FolNlore Food VarLeV Art

  23. Categories distribution 30000 2014 1umber oI ImageV 25000 2015 20000 15000 10000 5000 0 TownVFape Lagoon FolNlore Food VarLeV Art In both years, about 50% of the images are assigned to Other , for a total of 44k out of 90k images

  24. Categories distribution 30000 2014 1umber oI ImageV 25000 2015 20000 15000 10000 5000 0 TownVFape Lagoon FolNlore Food VarLeV Art 25% of the photos are in the Townscape category, which comprises architectural elements such as bridges, 
 churches, squares, highlighting the rich architectural heritage of Venice

  25. Number of photos taken over time 3500 2014 1umber oI ImDJes 3000 2015 2500 2000 1500 1000 b r y O J S t v F n r n D u F e S D e o e D u u 0 J 2 F A 0 1 D J A S J The trend is in line with the worldwide growth in Instagram active users, 
 which have more than doubled from the beginning of 2014 to the end of 2015

  26. Number of photos taken over time 3500 2014 1umber oI ImDJes 3000 2015 2500 2000 1500 1000 b r y O J S t v F n r n D u F e S D e o e D u u 0 J 2 F A 0 1 D J A S J Peak corresponding to Carnival 2015

  27. Frequency of Art photos in 2015 20 % oI Art ImDJes 18 16 14 12 10 Feb 0Dr 0Dy JuO AuJ 6eS 2Ft 1ov DeF JDn ASr Jun The shaded area shows the increase in the frequency of Art photos during the 56th Art Biennale

  28. Frequency of Art photos in 2015 20 % oI Art ImDJes 18 16 14 12 10 Feb 0Dr 0Dy JuO AuJ 6eS 2Ft 1ov DeF JDn ASr Jun Note also the slight increase during the Carnival period. 
 This may be due to the increased number of cultural events 
 organised in museums and galleries during that period

  29. Heatmap: Lagoon 2014

  30. Heatmap: Lagoon 2015

  31. Heatmap: Townscape 2014

  32. Heatmap: Townscape 2015

  33. Heatmap: Art 2014

  34. Biennale Guggenheim Biennale Heatmap: Art 2014

  35. Heatmap: Art 2015

  36. Palazzo Grassi Biennale Biennale Guggenheim San Giorgio Maggiore Heatmap: Art 2015

  37. Heatmap: Folklore 2014

  38. Heatmap: Folklore 2015

  39. Santa Lucia (railway station) Rialto bridge San Marco square Heatmap: Folklore 2015

  40. Heatmap: Food 2014

  41. Al Timon Bragozzo (restaurant) Al Paradiso Perduto (restaurant) Tonolo (pastry shop) Heatmap: Food 2014

  42. Heatmap: Food 2015

  43. Heatmap: February 2015 (during Carnival)

  44. Heatmap: March 2015 (after Carnival)

  45. During Carnival After Carnival % oI Folklore IPDges 25 During CDrnivDl AIter CDrnivDl 20 15 10 5 0 Dorsoduro SDntD CroFe SDn 0DrFo CDstello SDn Polo CDnnDregio

  46. During Carnival After Carnival % oI Folklore IPDges 25 During CDrnivDl AIter CDrnivDl 20 15 10 5 0 Dorsoduro SDntD CroFe SDn 0DrFo CDstello SDn Polo CDnnDregio

  47. 1. Study limited to users of Instagram 2. Image classification not state-of-the-art 3. Large number of photos classified as Other 4. Textual information (e.g, #hashtags) discarded

  48. Conclusion and future work • We explored tourism consumption through the lens of Instagram • The analysis of 90k photos over two years highlights the presence of touristic hotspots • The signal is influenced by external events and can reveal preferred touristic routes during such events

  49. Conclusion and future work • Potential areas of applications: – Urban planning – Marketing and advertising campaigns – Personalised tourist guide by linking city representation to user preferences, as determined by his/her shared photos • Future work will investigate text to associate sentiment to places and will use CNN to improve image classification

  50. Questions? https://cs.aston.ac.uk/~rossil/ l.rossi@aston.ac.uk blextar The 8th International Workshop on Location and the Web, 24 April 2018, Lyon, France

Recommend


More recommend