i590 interactive visual analytics
play

I590 Interactive Visual Analytics Week 4 Gestalt Laws Color - PowerPoint PPT Presentation

I590 Interactive Visual Analytics Week 4 Gestalt Laws Color Perception Khairi Reda | redak@iu.edu School of Informa5cs & Compu5ng, IUPUI Homework 0 Avg: 9.16 Min: 7 Max: 10 Last week Visual percep7on, edge detec7on, visual illusions, and


  1. I590 Interactive Visual Analytics Week 4 Gestalt Laws Color Perception Khairi Reda | redak@iu.edu School of Informa5cs & Compu5ng, IUPUI

  2. Homework 0 Avg: 9.16 Min: 7 Max: 10

  3. Last week Visual percep7on, edge detec7on, visual illusions, and popouts Our visual system see differences, not absolute values, and is aIracted to edges. We can easily see objects that are different in color and shape, or that are in mo5on (popouts) Use color and shape sparingly to make the important informa5on pop out

  4. This week More on visual percep7on: • Gestalt principles • Color percep5on • Color spaces

  5. Gestalt grouping principles

  6. Gestalt grouping principles gestalt : form in German “The whole is other than the sum of its parts” Our brain has innate capacity to see paIerns that transcend the visual s5muli the produce them

  7. proximity Andy Rutledge, “Gestalt Principles of Perception”

  8. proximity Alex Lex

  9. proximity B. Wong, “Gestalt Principles, I”

  10. similarity B. Wong, “Gestalt Principles, I”

  11. similarity Andy Rutledge, “Gestalt Principles of Perception”

  12. connectedness Ware, “Information Visualization”

  13. link surface outline enclosure Alex Lex

  14. A li=le experiment… How many groups do you see? color size shape proximity similarity similarity similarity Based on a slide by Alex Lex

  15. A li=le experiment… How many groups do you see? color size shape proximity similarity similarity similarity Based on a slide by Alex Lex

  16. A li=le experiment… How many groups do you see? color size shape proximity similarity similarity similarity Based on a slide by Alex Lex

  17. grouping B. Wong, “Gestalt Principles, I”

  18. grouping

  19. grouping Jorge Camoes Via Miriah Meyer

  20. grouping - common fate

  21. closure

  22. closure

  23. figure / background Mariah Meyer

  24. Gestalt principles similarity: objects that look like each other (in size, color, or shape) are related proximity: objects that are visually close to each other are related connections: objects that are visually connected are related closure: we see incomplete shapes as complete figure / ground: elements are perceived as either figures or background common fate: elements with the same moving direc5on are perceived as a unit Mariah Meyer

  25. color The Huffington Post

  26. color the property possessed by an object of producing different sensa5ons on the eye as a result of the way the object reflects or emits light -Oxford dictionary

  27. light Electromagne5c radia5on within a certain range [400nm - 700nm] of the electromagne5c spectrum more energy

  28. light Mariah Meyer

  29. Trichromacy

  30. Trichromacy Normal human color vision is 3 dimensional Derived from three cone types (short, medium, and large wave-length sensi5vity) Each type of cone contains a specific photosensi5ve pigment that reacts to a certain wavelength of light Based on a slide by Mariah Meyer

  31. Trichromacy easy to read difficult to read easy to read difficult to read

  32. Opponent-process theory Explains how signals are processed Visual perceptual system detects differences in the response of cones + + - - red-green yellow-blue luminance opponent channel opponent channel

  33. Sensitivity to spatial detail The luminance channel has greater ability to resolve smaller detail C. Ware, Visual Thinking for Design

  34. Sensitivity to spatial detail C. Ware, Visual Thinking for Design

  35. “Important” colors These colors have a name in virtually every human language Their seman5cs and connota5ons are culture- specific

  36. Conventions hue saturation luminance

  37. Color deficiencies

  38. Color deficiencies Some5mes caused by faculty cones, some5mes by faulty pathways red-green weakness is the most common type 8% of (North American) makes, 0.5% of female Can be explained by opponent color theory normal re5na Protanopic Based on a slide by Miriah Meyer

  39. lacking red cones lacking green cones lacking blue cones Via Miriah Meyer

  40. difficult to dis5nguish for people with Deuteranopia

  41. Design critique • What is the visualiza5on http://tinyurl.com/gueqapz about? • What data is represented in the visualiza5on? And how? • What are the interac5ons used? • What ques5ons can we answer with the visualiza5on? • Do you like the visualiza5on? • Are there any improvements that can be made to the design?

  42. Color spaces

  43. light 1. pure yellow: 580 nm 2. color matching yellow

  44. Tristimulus color matching red green test color blue

  45. Tristimulus color matching red green test color 580nm blue

  46. Tristimulus color matching red 0.17 green 0.17 test color 580nm blue 0

  47. RGB color space Each point within the cube is defined by a 3D vector (r, g,b) Each point within the cube is defined by a 3D vector (r, g,b) and represents a unique color and represents a unique color The r, g, b coordinates of the vector reflect a combina5on of The r, g, b coordinates of the vector reflect a combina5on of red, green, and blue primaries needed to reproduce the color red, green, and blue primaries needed to reproduce the color 1.0 G 1.0 R B 1.0

  48. RGB color space Each point within the cube is defined by a 3D vector (r, g,b) and represents a unique color The r, g, b coordinates of the vector reflect a combina5on of red, green, and blue primaries needed to reproduce the color yellow (1.0, 1.0, 0.0) 1.0 1.0 1.0

  49. RGB color space Each point within the cube is defined by a 3D vector (r, g,b) and represents a unique color The r, g, b coordinates of the vector reflect a combina5on of red, green, and blue primaries needed to reproduce the color 1.0 (1.0, 0.6, 1.4) 1.0 1.0

  50. RGB color space Each point within the cube is defined by a 3D vector (r, g,b) and represents a unique color The r, g, b coordinates of the vector reflect a combina5on of red, green, and blue primaries needed to reproduce the color 1.0 1.0 1.0 1.0 magenta (1.0, 0.0, 1.0) 1.0 1.0

  51. RGB color space Each point within the cube is defined by a 3D vector (r, g,b) and represents a unique color The r, g, b coordinates of the vector reflect a combina5on of red, green, and blue primaries needed to reproduce the color 1.0 1.0 white (1.0, 1.0, 1.0) 1.0 1.0 1.0 1.0

  52. RGB color space Each point within the cube is defined by a 3D vector (r, g,b) and represents a unique color The r, g, b coordinates of the vector reflect a combina5on of red, green, and blue primaries needed to reproduce the color 1.0 1.0 1.0 1.0 black (0.0, 0.0, 0.0) 1.0 1.0

  53. RGB color space G R B

  54. what colors combina7on can be used to re- producing the visible light spectrum by mixing? • red, yellow, blue • red, green, blue • orange, green, violet • cyan, magenta, yellow • all of the above Miriah Meyer

  55. Light mixing (RGB) Addi5ve mixing of colored lights

  56. Light mixing (RGB) LCD display closeup Wikipedia

  57. Ink mixing (CMY / CMYK) Subtrac5ve mixing of inks printed on white paper

  58. CMY composite CMYK composite Color picture Wikipedia

  59. what colors combina7on can be used to re- producing the visible light spectrum by mixing? red, yellow, blue • red, green, blue • orange, green, violet • cyan, magenta, yellow • • all of the above , almost Miriah Meyer

  60. Tristimulus color matching red green test color 500nm blue

  61. Tristimulus color matching red green test color 500nm blue

  62. Tristimulus color matching red green test color 500nm blue

  63. Tristimulus color matching red green test color 500nm blue

  64. Opps

  65. CIE color space At a mee5ng in of the CIE in 1931 • Let’s have imaginary primary colors! • Construct linear, possibly non-realizable combina5ons of • primaries so that color matching func5ons are posi5ve throughout the visible light X, Y, Z primaries • Can be linearly transformed from RGB (and vice versa) • Based on a slide by Siddhartha Chaudhuri

  66. CIE color space

  67. 1.0 Y Y 1.0 X X Z Z 1.0

  68. Y X Z

  69. CIE chromaticity diagram

  70. CIE chromaticity diagram White

  71. CIE chromaticity diagram G Y R

  72. CIE chromaticity diagram White

  73. CIE chromaticity diagram RGB color space

  74. CIE chromaticity diagram

  75. Perceptual color spaces A change in the amount of color value should produce a propor5onal change in the way we see the color Via Miriah Meyer

  76. HSL Rearrangement of the RGB color space into a cylinder to be more intui5ve and perceptually relevant • hue: what people think of as color • saturation: the vividness of the color • luminance: amount of black mixed in

  77. hue saturation luminance

  78. Guidelines for using color in visualization

  79. Colormap Specifies a mapping between [0, 8] color and values categorical sequential discrete vs. vs. vs. ordered diverging continuous Match colormap to data type & task

Recommend


More recommend