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Butterflies in Formation: Performance Under Pressure Banff, Dr. - - PowerPoint PPT Presentation

Butterflies in Formation: Performance Under Pressure Banff, Dr. Stephen R. Leppard, Alberta January 4/19 Waterton, Banff, Alberta Alberta Botanical Beach, B.C. Waterton, Banff, Alberta Alberta Botanical Beach, B.C. Alliteration


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Banff, Alberta

Butterflies in Formation: Performance Under Pressure

  • Dr. Stephen R. Leppard,

January 4/19

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Banff, Alberta Waterton, Alberta Botanical Beach, B.C.

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Banff, Alberta Waterton, Alberta Botanical Beach, B.C.

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Alliteration Introduction

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Butterflies in Formation: Performance Under Pressure

✔ Host Introduction and Qualifications ✔ Shared Agenda and Citing Sources (Research) ✔

Framing the Learning

✔ Outcomes, Learner Goals, Teacher Targets ✔ Conversations about Presentation Performance ✔ Gordon’s Skill Acquisition ✔ Yerkes-Dodson Law ✔ Science-Art Continuum (A. Tom) ✔ Check for Understanding ✔ Three (3) Exemplars ✔ Subconscious Messaging ✔ Emblems ✔ Body Language ✔ Eye Scanning ✔ Hands ✔ Voice

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https://www.ualberta.ca/graduate-studies/professional-development

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https://www.ualberta.ca/graduate-studies/professional-development

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Butterflies in Formation: Performance Under Pressure

✔ Host Introduction and Qualifications ✔ Shared Agenda and Citing Sources (Research) ✔

Framing the Learning

✔ Outcomes, - Learner Goals, - Teacher Targets ✔ Conversations about Presentation Performance ✔ Gordon’s Skill Acquisition ✔ Yerkes-Dodson Law ✔ Science-Art Continuum (A. Tom) ✔ Check for Understanding ✔ Three (3) Exemplars ✔ Subconscious Messaging ✔ Emblems ✔ Body Language ✔ Eye Scanning ✔ Hands ✔ Voice

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Think of the developmental steps you experience while acquiring a new skill.

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It’s okay to be nerveous. don’t let it consume me!!!

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Circa: 1984

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http://www.connerpartners. com/science-art-continuum Circa: 1984

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http://www.connerpartners. com/science-art-continuum Circa: 1984

Craft

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http://www.connerpartners. com/science-art-continuum Circa: 1984

Craft

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http://www.connerpartners. com/science-art-continuum Circa: 1984

Craft

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http://www.connerpartners. com/science-art-continuum Circa: 1984

Craft

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http://www.connerpartners. com/science-art-continuum Circa: 1984

Craft

… patented a software program, LinkLIne, to assist with web-based Equal Employment Opportunity investigations.Wikipedia

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Craft

Have I begun to establish credibility with you?

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Craft

Have I begun to establish credibility with you?

Is their understanding and confidence increasing?

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Craft Is your understanding and confidence increasing?

Is your understanding and confidence increasing?

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Craft Is your understanding and confidence increasing?

Is your understanding and confidence increasing? Are you interested in exploring further?

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Craft Is your understanding and confidence increasing?

Is your understanding and confidence increasing? Are you interested in exploring further?

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Butterflies in Formation: Performance Under Pressure

✔ Host Introduction and Qualifications ✔ Shared Agenda and Citing Sources (Research) ✔

Framing the Learning

✔ Outcomes, - Learner Goals, - Teacher Targets ✔ Conversations about Presentation Performance ✔ Gordon’s Skill Acquisition ✔ Yerkes-Dodson Law ✔ Science-Art Continuum (A. Tom) ✔ Check for Understanding ✔ Three (3) Exemplars ✔ Subconscious Messaging ✔ Emblems ✔ Body Language ✔ Eye Scanning ✔ Hands ✔ Voice

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https://vhscotland.org.uk/gold-star-exemplars-third-sector-approaches-to-community-link-working-across-scotland/

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Myth 1: University teaching is poor Myth 2: Good researchers make poor teachers and vice versa Myth 3: Poor teaching is tolerated because only research counts Myth 4: Student evaluations of teaching only encourage showmanship Myth 5: Responding to student surveys will lead to a dumbing down of the curriculum

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Myth 1: University teaching is poor Myth 2: Good researchers make poor teachers and vice versa Myth 3: Poor teaching is tolerated because only research counts Myth 4: Student evaluations

  • f teaching only encourage

showmanship Myth 5: Responding to student surveys will lead to a dumbing down of the curriculum

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http://theconversation.com/rating-your-professor-five-myths-about-university-teaching-quality-36129

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http://theconversation.com/rating-your-professor-five-myths-about-university-teaching-quality-36129

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http://www.ratemyprofessors.com/ShowRatings.jsp?tid=791181

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http://www.ratemyprofessors.com/ShowRatings.jsp?tid=791181

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http://www.ratemyprofessors.com/ShowRatings.jsp?tid=791181

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http://www.ratemyprofessors.com/ShowRatings.jsp?tid=279686

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http://www.ratemyprofessors.com/ShowRatings.jsp?tid=279686

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http://www.ratemyprofessors.com/ShowRatings.jsp?tid=279686

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http://www.ratemyprofessors.com/ShowRatings.jsp?tid=87052

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http://www.ratemyprofessors.com/ShowRatings.jsp?tid=87052

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http://www.ratemyprofessors.com/ShowRatings.jsp?tid=87052

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https://www.linkedin.com/pulse/art

  • active-listening-glenna-fulks/

Many of us are guilty of starting a conversation and putting a thought or question

  • ut there.

Instead of giving the other individual time to formulate a response, we immediately re- phrase the question or remark and answer it ourselves. In other words, we don’t give

  • urselves a chance to listen

since we never stop talking.

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Butterflies in Formation: Performance Under Pressure

✔ Host Introduction and Qualifications ✔ Shared Agenda and Citing Sources (Research) ✔

Framing the Learning

✔ Outcomes, - Learner Goals, - Teacher Targets ✔ Conversations about Presentation Performance ✔ Gordon’s Skill Acquisition ✔ Yerkes-Dodson Law ✔ Science-Art Continuum (A. Tom) ✔ Check for Understanding ✔ Three (3) Exemplars ✔ Subconscious Messaging ✔ Emblems ✔ Body Language ✔ Eye Scanning ✔ Hands ✔ Voice

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Remember when I said,

‘I’m really nervous about presenting to such a large, highly educated audience’?

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Remember when I said,

‘I’m really nervous about presenting to such a large, highly educated audience’?

Did you believe me?

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https://youtu.be/_v36Vt9GmH8?t=1m42s

1:42 - 3:00

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1:42 - 3:00

Cognitive Dissonance

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Body Posture

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* Ekman P. (2004) Emotional and Conversational Nonverbal Signals. In: Larrazabal J.M., Miranda L.A.P. (eds) Language, Knowledge, and Representation. Philosophical Studies Series, vol 99. Springer, Dordrecht https://link.springer.com/chapter/10.1007/978-1-4020-2783-3_3

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If you’re participating in healthy conversation (and not experiencing the above emotions), “eye contact” is effectively defined as looking semi-randomly in an area whose borders surround the eyes by about two

  • centimeters. This would be between 30 and 70 percent of the time.

http://www.thelanguagelab.ca/posts/nonverbal-communication-the-importance-of-eye-contact/

Eyes

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If you’re participating in healthy conversation (and not experiencing the above emotions), “eye contact” is effectively defined as looking semi-randomly in an area whose borders surround the eyes by about two

  • centimeters. This would be between 30 and 70 percent of the time.

http://www.thelanguagelab.ca/posts/nonverbal-communication-the-importance-of-eye-contact/

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If you’re participating in healthy conversation (and not experiencing the above emotions), “eye contact” is effectively defined as looking semi-randomly in an area whose borders surround the eyes by about two

  • centimeters. This would be between 30 and 70 percent of the time.

http://www.thelanguagelab.ca/posts/nonverbal-communication-the-importance-of-eye-contact/

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If you’re participating in healthy conversation (and not experiencing the above emotions), “eye contact” is effectively defined as looking semi-randomly in an area whose borders surround the eyes by about two

  • centimeters. This would be between 30 and 70 percent of the time.

http://www.thelanguagelab.ca/posts/nonverbal-communication-the-importance-of-eye-contact/

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The first thing to do, after taking the lectern, and before beginning your talk, is to find a friendly face and make eye

  • contact. This is one reason for arriving early at the place of your talk to and to ‘Meet & Greet’ audience members.

Introduce yourself and ask them questions. Making eye contact with people you meet beforehand who express friendliness, and an eagerness to hear you speak, will get your talk off to a jumpstart. Look at that person directly in the eye and start speaking. Then, after a few moments, move on to another welcoming face. By using good eye contact you are able to connect with the audience, and connecting is a major goal of public speaking. https://nosweatpublicspeaking.com/non-verbal-communication-1-eye-contact/

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Eyes

The first thing to do, after taking the lectern, and before beginning your talk, is to find a friendly face and make eye

  • contact. This is one reason for arriving early at the place of your talk to and to ‘Meet & Greet’ audience members.

Introduce yourself and ask them questions. Making eye contact with people you meet beforehand who express friendliness, and an eagerness to hear you speak, will get your talk off to a jumpstart. Look at that person directly in the eye and start speaking. Then, after a few moments, move on to another welcoming face. By using good eye contact you are able to connect with the audience, and connecting is a major goal of public speaking. https://nosweatpublicspeaking.com/non-verbal-communication-1-eye-contact/

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Eyes

The first thing to do, after taking the lectern, and before beginning your talk, is to find a friendly face and make eye

  • contact. This is one reason for arriving early at the place of your talk to and to ‘Meet & Greet’ audience members.

Introduce yourself and ask them questions. Making eye contact with people you meet beforehand who express friendliness, and an eagerness to hear you speak, will get your talk off to a jumpstart. Look at that person directly in the eye and start speaking. Then, after a few moments, move on to another welcoming face. By using good eye contact you are able to connect with the audience, and connecting is a major goal of public speaking. https://nosweatpublicspeaking.com/non-verbal-communication-1-eye-contact/

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Eyes

The first thing to do, after taking the lectern, and before beginning your talk, is to find a friendly face and make eye

  • contact. This is one reason for arriving early at the place of your talk to and to ‘Meet & Greet’ audience members.

Introduce yourself and ask them questions. Making eye contact with people you meet beforehand who express friendliness, and an eagerness to hear you speak, will get your talk off to a jumpstart. Look at that person directly in the eye and start speaking. Then, after a few moments, move on to another welcoming face. By using good eye contact you are able to connect with the audience, and connecting is a major goal of public speaking. https://nosweatpublicspeaking.com/non-verbal-communication-1-eye-contact/

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https://youtu.be/4eBmyttcfU4?t=1m4s

Scanning

1:04 - 1:22 18 sec

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https://youtu.be/4eBmyttcfU4?t=1m4s

Scanning

1:04 - 1:22 18 sec

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1:04 - 1:22 18 sec.

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https://youtu.be/QqhkdHlCHLk?t=4s

Hands

:04 - :58

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Voice Inflection

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https://tinyurl.com/y8x5j7k6

1:25

0:00 - 1:00

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https://youtu.be/OvEci5Bjgd4?t=1m48s 1:46 - 2:15

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1:46 - 2:15

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https://www.youtube.com/watch?v=i0a61wFaF8A

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https://www.youtube.com/watch?v=4eBmyttcfU4

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Emblems: Second layer of communication - Total communication Simultaneous communication

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Great

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Great

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