type pragmatics fall 2015 jerod Anderson
Colors Typeface: Fira Sans: light book medium boldz
Feb 25th-27th, 2016 Srishi School of Art, Design and Technology, Bangalore, India Theme: Typography and Educaiton Menu Home Schedule Speakers Accomodattions Sponsers other Date: Theme: Typography Day will be organized for the days of conference dedicated to ‘Typography Typography and Education Feb 25-27, 2016 ninth time on 25th to 27th February 2016 at Srishti and Education’. The international conference will Institute of Art, Design and Technology, Bangalore be devoted to addressing issues faced by type in collaboration with the Industrial Design Centre designers, type users and type educators. The Location: (IDC), Indian Institute of Technology Bombay conference includes presentations by invited (IIT Bombay) with support from India Design keynote speakers, eminent academicians, blind Srishi School of Art, Association (InDeAs) and Aksharaya. juried papers, industry professionals, research Design and Technology, The theme for this year’s event is ‘Typography scholars and students. The event will also host Bangalore, India and Education’ an exhibition of selected posters and typographic The event will feature a day of workshops works of students and faculty members from on Typography and Calligraphy followed by two Design Institutes. The ninth international typographic conference has come to India. For those who find interest in typogphy for buisness, education or creation should come for workshops and conferences with top type designers. www.typoday.in
every time you use Comic Sans a puppy cries This Way Comic Sans and Papyrus are my worst enemies “Comic Sans is my kind of Typeface.” - Satan
Day 3: Morning Day 3: Afternoon Keynote Speakers Vision Speakers Venue: VMCC Main Conference Hall, IIT Bombay – Session 7 John Berry usually in the age of Unicode (ATypI/ Anup Gupta is a the Group Creative Director Venue: VMCC Main Conference Hall, IIT Bombay – 5.10 – 5.25 My Two Cents’ Worth on 091-22-25767801 Typography & Form 091-22-25767801 describes himself as an editor Graphis, 2002), Contemporary graduate from College of Art, with Hindustan Times Media Contemporary Indian Coins - A comparative study & typographer — reflecting newspaper design: shaping Delhi, where he specilised in Ltd and is a member of a core 8.30 – 9.15 Tea 12.00 – 12.20 Session Chairman: Prof. Udaya 2.30 – 3.10 Session Chairman: Prof. Sreekumar, Shameen Khatri, Rachana Sansad College of his care for both the meaning the news in the digital age Applied Arts. He has worked group that is spearheading a Kumar Department of Design, IIT Guwahati IDC, IIT Bombay, India Applied Arts and Craft, India 9.15 – 10.00 Session Chairman: Prof. Ravi FONT : FORM : FUNCTION : The of words and how they are (Mark Batty Publisher, 2004), in the publishing industry now major change at the Hindustan Experiences and Possibilities in Typography Feburary 25th-27th Poovaiah, IDC, IIT Bombay, India Unstated Identity of the Built Word Anup Gupta, Group Director at Hindustan Times 5.25 – 5.40 A Study of Roman & Devanagari presented. He is Honorary and U&lc: influencing design for more than 3 decades and Times by implementing an Nandita, R V College of Architecture, India Media Ltd, India, Fonts for a Dot Matrix Printer on the Indian President of ATypI (Association & typography (Batty, 2005). He has privilege of working with integrated newsroom. Leading Keynote Address 2 Railway Tickets Typographique Internationale) has been a program manager 12.20 – 12.40 Sensitive Role of Modifiers India Today, Economic Times, the editorial track in the Sensitivity and Fineness in typography Session 8 Kavya Tolia, Rachana Sansad College of Applied John D. Berry , Honorary President of ATypI, USA (Matras) in Devnagari Fonts and the former editor and on the Fonts team at Microsoft, Business Today, Business project Anup, along with the Typography & Pragmatics Art and Craft, India Rajeev Prakash, Delhi Press, India publisher of U&lc (Upper & where he established improved Standard, Business World, other members of the core John Berry Anup Gupta 10.15 – 10.45 Tea and networking 3.20 – 3.40 Session Chairman: Aurobind Patel, 5.40 – 5.55 Bundelkhand Environmental lower case). He writes, speaks, typographic standards for India Today Group Online, group, is rethinking the way a Honorary President 12.40 – 1.00 Discussion & QA Typographer-Designer, Itu Typographer, India Signage Typography and consults extensively on Windows and other Microsoft Times of India, Mint and newsorganisation should and Session 6 of ATypI (Association Which Sinhala Fonts Do Users Love To Read On Chauduri Design, New Delhi, Santosh Kumar, Prof. Hira Lal Prajapati and Typography & Tradition 1.00 – 02.30 Lunch and Networking typography, and he has won products. He is Director of the Hindustan Times. He has been will operate tomrrow. He is Typographique Screen? Brijendra Singh, Department of Applied Arts, India Pathum Egodawatta, Mooniak, Sri Lanka Faculty of Visual Arts, BHU, Varanasi, Indi a numerous awards for his Scripta Typographic Institute. instrumental in designing and maried to Peali Dutta Gupta, Internationale), USA 10.45 – 11.05 Session Chairman: Prof. Vikas book designs. He has written He teaches typography and redesigning some of these a design consultant and his Satwalekar Emeritus Professor and Ex-Director, 3.40 – 4.00 Effect of Typeface Characteristics on 5.55 – 6.10 Discussion & QA and edited several books, design at Cornish College of the publications where he has also soulmate for 34 years. They NID Students’ Performance - A case study for design Session 10 How the Traditional Chinese Concept of Time including Language culture Arts. He lives in Seattle with the built and managed the design have a 7 year old daughter Pia aptitude tests Closing session + Awards and Space can be Applied through Digital Kaveri Sharma, MIT ID, India type: international type design writer Eileen Gunn. competency. Anup is presently and live in Delhi. Moving Images 6.10 – 6.40 Session Chairman: Prof. Ravi Hung Keung, School of Design, Hong Kong 4.00 – 4.10 Discussion & QA Poovaiah and Prof. Sreekumar, IDC IIT Bombay AnupTarun Deep Introduction to Illustration, Itu Chaudhuri on design from the emerging Polytechnic University, Hong Kong Typography of M.G. Moinuddin Girdher has been teaching at Environmental Perception, and switched to graphic design markets. Itu listens obsessively 4.10 – 4.40 Tea and networking Sajid Moinuddin, Graphic Designer, India 11.05 – 11.25 Simulating the Appearance of after a degree in architecture NID for morethan 15 years. Hand Book Binding. Tarun has to Indian classical music, but Painted and Digital Display Type on Shop Signs from the School of Planning He did the five-year School published widely and organised Session 9 6.40-8.00 Awards Ceremony + his multiple interests also in India and Architecture, New Delhi, Typography & Young Minds Concluding Remarks Leavers Professional Education international conferences at include cricket, economics, Nanki Nath, Department of Design, IIT Guwahati, adding his lifelong passions Programme (SLPEP) in Graphic NID such as Brands, Identity India and Prof. Ravi Poovaiah, IDC, IIT writing and science; he is a 4.40 – 4.55 Session Chairman: Dr. Ajanta Sen of lettering, calligraphy and Bombay, India Design from NID and joined and Graphics 03 in 2003 and Director, Solar Project, India fact-junkie who loves getting type to his education which he the institute as a faculty in the Typography Day 2011. He The Making of Typo Safari under the hoods of his client’s 11.25 – 11.45 Designing Display Type Central credits with giving him a good, Gergo Tamas Farkas, Hungarian University of 1999. Tarun teaches courses has created visual identity and Tarun Deep Girdher businesses. He speaks Hindi, ASMAT Tribe Pattern Chracteristic Itu Chaudhuri Fine Arts, Hungary if unusual foundation in design. such as Typography, Visual logos for various agencies, Bengali, Gujarati. Itu’s short Sr. Faculty, Head, Dodi Nursaiman, Indonesian Computer Typographer and Graphic Itu has taught, lectured and Narratives, Introduction including Right to Information, University, Indonesia Publications and Printing 4.55 – 5.10 Wancho Laeje: Birth of a New Script stories have dealt with the Designer, Hindustan Times, judged at the National institute to Printing Technology, Central Pulp and Paper Research Anurag Gautam, National Institute of Lab, NID, Ahmedabad conflict of will with involuntary 11.45 – 12.00 Discussion & QA New Delhi, India of Design, helped consult Design, India Introduction to Specialization, Institute, Institute of Company behaviour, covering subjects on curriculum at UCLA, Los Open Electives (book binding), Secretaries of India, National like flight, bodily functions and 4 5 Angeles, has been featured Communication Skills, Letter Institute of Naturopathy and Parsi-ness. in World Graphic Design, a book Design, Publication Design, and Election Commission of India
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