Poetics P . S. Langeslag
Stylistic Devices
Cædmon’s Hymn Nu sculon herigean heofonrices weard, meotodes meahte and his modgeþanc, 3 weorc wuldorfæder, swa he wundra gehwæs, ece drihten, or onstealde. He ærest sceop eorðan bearnum 6 heofon to hrofe, halig scyppend; þa middangeard moncynnes weard, ece drihten, æfuer teode 9 fjrum foldan, fsea ælmihtig. Variation The use of multiple words or phrases to express the same thing within a single sentence.
Variation The use of multiple words or phrases to express the same thing within a single sentence. Cædmon’s Hymn Nu sculon herigean heofonrices weard, meotodes meahte and his modgeþanc, 3 weorc wuldorfæder, swa he wundra gehwæs, ece drihten, or onstealde. He ærest sceop eorðan bearnum 6 heofon to hrofe, halig scyppend; þa middangeard moncynnes weard, ece drihten, æfuer teode 9 fjrum foldan, fsea ælmihtig.
Litotes Negation by understatement / denial of the opposite. (1) mǣte werode (2) lȳt swigode (3) lȳt ǣnig mearn
Paranomasia Word play relying on similar-sounding words or multiple meanings of one word. (4) On rōde ahēng rodora waldend (5) Ūs is riht micel ðæt wē rodera weard, wereda wuldorcining, wordum herigen
Prosopopoeia Endowing an inanimate object with human attributes or feelings. ▶ Any riddle in which an object speaks in the fjrst person ( saga hwæt ic hātte ) ▶ The speaking, sufgering cross in Dream of the Rood
Heiti A simpler circumlocution that does not answer to the requirements of the kenning; in Old Norse poetry, typically a one-word metaphor without a modifjer to explain its connection. ▶ Any Old Norse words for “tree” ▶ ? OE wegfmota , sundwudu etc. Kenning A noun phrase or compound noun consisting of a base word and a modifjer; the base word functions as an analogue to and metaphor for the concept intended, but its metaphorical target is only made clear by the modifjer. ▶ wæghengest etc. ▶ wegfmota , sundwudu ▶ feorgbold etc. ▶ helmberend ▶ bānhūs etc. ▶ hæþstapa ▶ hildeleoma etc. ▶ ? woruldcandel
Kenning A noun phrase or compound noun consisting of a base word and a modifjer; the base word functions as an analogue to and metaphor for the concept intended, but its metaphorical target is only made clear by the modifjer. ▶ wæghengest etc. ▶ wegfmota , sundwudu ▶ feorgbold etc. ▶ helmberend ▶ bānhūs etc. ▶ hæþstapa ▶ hildeleoma etc. ▶ ? woruldcandel Heiti A simpler circumlocution that does not answer to the requirements of the kenning; in Old Norse poetry, typically a one-word metaphor without a modifjer to explain its connection. ▶ Any Old Norse words for “tree” ▶ ? OE wegfmota , sundwudu etc.
Ubi sunt (qui ante fuerunt) Hwar syndon þas rican caseres and þa cyningas þe iu wæron, oððe þa ealdormenn þe bebodu setton? hwar his heora domera domstow? hwar is heora ofermedla butan mid moldan beþeht and on witum gewrecen? […] Hwar com middaneardes gestreon? Hwar com þyssere woruld welan? Hwar com foldan fægernyss? Hwar comon þa þæ geornlicost æhta tyledon and oðrum efu yrfe læfdon? (Napier homily 49)
Chiasmus Any construction in which elements assume an ABBA order. (6) Syllic wæs se sigebeam, ond ic synnum fah ( Dream of the Rood l. 13)
Poetic Form
Alliteration ▶ One or both lifus in the a-verse ▶ First lifu in the b-verse ▶ Vowels alliterate among themselves ▶ sc , sp , st keep to themselves Sc ýld Sc éfjng sc éaþena þréatum, sc-alliteration m ónegum m ǽgþum, m éodosetla ofuéah, é gsode éo rlas, syððan ǽ rest wéarð vowel alliteration f éasceafu f únden. He þæs f rófse gebád, w éox under w ólcnum, w éorðmyndum þáh, oðþæt him ǽ ghwỳlc ý mbsìttendra vowel alliteration ofer h rónràde h ýran scólde, g ómban g ýldan. Þæt wæs g ód cýning! Verse Form Rhythm ▶ Two verses per long line (separated by a caesura) ▶ Two lifus (= beats, stresses) per verse ▶ Variable number of unstressed syllables
Sc ýld Sc éfjng sc éaþena þréatum, sc-alliteration m ónegum m ǽgþum, m éodosetla ofuéah, é gsode éo rlas, syððan ǽ rest wéarð vowel alliteration f éasceafu f únden. He þæs f rófse gebád, w éox under w ólcnum, w éorðmyndum þáh, oðþæt him ǽ ghwỳlc ý mbsìttendra vowel alliteration ofer h rónràde h ýran scólde, g ómban g ýldan. Þæt wæs g ód cýning! Verse Form Rhythm Alliteration ▶ One or both lifus in the a-verse ▶ Two verses per long line ▶ First lifu in the b-verse (separated by a caesura) ▶ Vowels alliterate among themselves ▶ Two lifus (= beats, stresses) per verse ▶ sc , sp , st keep to themselves ▶ Variable number of unstressed syllables
Verse Form Rhythm Alliteration ▶ One or both lifus in the a-verse ▶ Two verses per long line ▶ First lifu in the b-verse (separated by a caesura) ▶ Vowels alliterate among themselves ▶ Two lifus (= beats, stresses) per verse ▶ sc , sp , st keep to themselves ▶ Variable number of unstressed syllables Sc ýld Sc éfjng sc éaþena þréatum, sc-alliteration m ónegum m ǽgþum, m éodosetla ofuéah, é gsode éo rlas, syððan ǽ rest wéarð vowel alliteration f éasceafu f únden. He þæs f rófse gebád, w éox under w ólcnum, w éorðmyndum þáh, oðþæt him ǽ ghwỳlc ý mbsìttendra vowel alliteration ofer h rónràde h ýran scólde, g ómban g ýldan. Þæt wæs g ód cýning!
Rules of Rhythmic Stress Particles: not normally stressed Stress words: always stressed ▶ Finite verbs ▶ Nouns ▶ Personal pronouns ▶ Adjectives ▶ Demonstrative pronouns ▶ Nonfjnite verbs ▶ Demonstrative adverbs ▶ Heavy adverbs (e.g. singallīce ) ▶ (Conjunctions) ▶ Heavy pronouns (e.g. gehwylc ) Proclitics: not normally stressed (Look for stress words around alliterating syllables.) ▶ Prepositions Particles (grouped near the beginning of their ▶ Demonstratives clause) and proclitics (right before stressed words) ▶ Possessives receive stress if displaced. ▶ Copulative conjunctions ( and , ne ) ▶ Prefjxes The second element in a compound contains secondary word stress; in rhythmic stress, it counts as a halfmifu or full lifu as needed.
Sievers Types A / x / x eorlic ellen; glǣdne Hrōðgār; wīde sīðas (~ 2 trochees) B x / x / ond Halga til (~ 2 iambs) C x / / x gebūn hæfdon (~ 1 iamb + 1 trochee) D 1 / / \ x fsēan Scyldinga; hār hilderinc D 2 / / x \ wēold wīdeferhð E / \ x / healærna mǣst ▶ Classical terminology unsuitable given the variable number of unstressed syllabes to a foot.
Hwæðre ic þurh þæt gold ongytan meahte earmra ærgewin, þæt hit ærest ongan 20 swætan on þa swiðran healfe. Eall ic wæs mid sorgum gedrefed, forht ic wæs for þære fægran gesyhðe. Geseah ic þæt fuse beacen wendan wædum ond bleom; hwilum hit wæs mid wætan bestemed, 23 beswyled mid swates gange, hwilum mid since gegyrwed. Hwæðre ic þær licgende lange hwile beheold hreowcearig hælendes treow, 26 oððæt ic gehyrde þæt hit hleoðrode. Hypermetric Verse ▶ Three lifus per verse (the extra lifu ofuen added at the start) ▶ Additional alliteration possible
Hypermetric Verse ▶ Three lifus per verse (the extra lifu ofuen added at the start) ▶ Additional alliteration possible Hwæðre ic þurh þæt gold ongytan meahte earmra ærgewin, þæt hit ærest ongan 20 swætan on þa swiðran healfe. Eall ic wæs mid sorgum gedrefed, forht ic wæs for þære fægran gesyhðe. Geseah ic þæt fuse beacen wendan wædum ond bleom; hwilum hit wæs mid wætan bestemed, 23 beswyled mid swates gange, hwilum mid since gegyrwed. Hwæðre ic þær licgende lange hwile beheold hreowcearig hælendes treow, 26 oððæt ic gehyrde þæt hit hleoðrode.
langeslag.uni-goettingen.de Bibliography Frank, Roberta. “Some Uses of Paranomasia in Old English Scriptural Verse.” Speculum 47, no. 2 (April 1972): 207–26. Terasawa, Jun. Old English Metre: An Introduction . Toronto: University of Toronto Press, 2011.
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