EXCLUSIVE DESIGNS 23 HIGH PAVEMENT NOTTINGHAM - LIGHTING and audio visuals - Kirsten Bannister Interior Design
PRESENTS A lighting and audio visual design presentation to EXCLUSIVE DESIGNS 23 HIGH PAVEMENT NOTTINGHAM
CONTENTS - OVERVIEW - Floor Plans & front of Building elevations 52°57 ′ 03 ″ N 1°08 ′ 40 ″ W / 52.9508°N 1.1444°W / 52.9508 - Design concept - Final nal designs ns & R Ratio ional nales Reception area Meeting room Work spaces Directors office CONTENTS Break out area toilets firealarms - Presentation ion boar ards ds -directors office - reception area - meeting room - workspaces - break out area - toilets - References es - suppli liers ers 23 High Pavement
OVERVIEW -BRIEF Kirsten Bannister Interior Design were given the brief by Exclusive Designs to renovate their new premises located within county house, 23 high pavement, Nottingham. The brief stated that the new premises were to be of a contemporary style, but to also reflect the heritage of the building. The brief also wanted the interior to reflect exclusive designs “imagination, creativity and professionalism.” Nottingham is full of history and culture and nowadays home to a newly developed university, 2 shopping centres, restaurants, art galleries and much more. Renowned for its history in lace making. During the 18 th century especially- in 1799 there were 6 lace makers but in 1832 there were 186! The oldest part of the city (dated back to 5 th and 6 th Century) was named “the lace market” after the success of lace making. “ Home of legendary outlaw Robin Hood, dynamic culture, rich history and sporting glory.” (visit Nottingham) 23 high pavement was built in the 16 th century , located in central Nottingham and one of the oldest streets in the city where many of the buildings are listed. The street itself holds much history and during the Georgian era, was the most fashionable places to live. Taking into account the location of the premises, the history and current day styles, Kirsten bannister interior design has concluded that the lighting and audio visual schemes must reflect all of these in some shape or form. The design will try to encapsulate the lace heritage and history of the city through the lighting schemes at the same time as introducing high end modern audio visual OVERVIEW BRIEF technology to reflect the modern day Nottingham. The Georgian era was of great wealth and opulence so the scheme will introduce some aspects of this. The overall space will have theme of lace. The mixture of contemporary and heritage styles through the use of different layers of light forms and high tech audio visual will fulfill this brief.
Ground floor
Ground floor Floor plan
First floor
First floor
CONCEPT Lighting and audio visual schemes are often overlooked or rushed in office design. Resulting in frustrated employees who become less productive with high levels of sick days. Research shows that lighting has a huge impact on people. It can have a significant impact on your concentration and productivity. In addition to this, economically, the type of lighting used can also reduce energy consumption, resulting in reduced electricity bills. As the brief stated, Exclusive Designs are “a young and vibrant nt com ompany ny, , known wn for its innov ovative tive and original designs.” they also want to reflect the heritage of the building within the design. After reviewing the original proposed design, to complement the company itself and to fulfil the Fig 1 requested brief, we have decided to use a variety of high tech audio visual equipment and high quality, sustainable lighting. This will ensure that there is not only a sense of creativity, heritage and dynamicity, but also a space that is both environmentally and employee friendly. The introduction of efficient, up to date technology and lighting will create a very professional and sleek environment. Fig 1 the request for the heritage to be incorporated, will be fulfilled by having a theme of “lace” running through the premises via various creative light sources. These will be from well known brands and creative designers. The pattern we want to follow is shown in fig 1. the reception area will CONCEPT be represented by raindrop lighting to mimic the lace tassels shown in fig 1. recessed circular and linear led lighting will be used creating a flowing pattern to each of the office spaces.
Final designs and rationale
A fresh, vibrant, organic reception area. Embracing sustainability, heritage and high end technology. Reception area
RECEPTION AREA lighting the reception area could be classed as being the most important area within the office. This area communicates what kind of business you are, in this case vibrant and creative. Every client that walks through your doors will get their first impression when they see the layout, lighting, visual textures and flow. Your guests will spend a few or more minutes waiting in the reception area, giving them time to analyse the area. It is vital that in this case the vibrance, creativity and professionalism is reflected well. Your Employees are also effected by the reception area. A positive welcome when they arrive to work boosts their mindset, as well as giving them a sense of identity reminding them they are part of something big and important. When you enter the proposed reception area you will walk into a room of layered lighting, creating a creative and visually textured space. source 1 – full circle lighting- The e first t layer yer- this will consist of a Recessed organic shaped circular and linear led lighting pattern. (source 1 &2) these will not only add ambience (800- 1000 lumens) but an interesting lighting visual. The circular pattern is there to reflect and embrace the heritage theme of “lace”. The pattern will then morph into a mixture of both lines made of the linear lighting (source 2) and further circles, highlighting and directing, like light pathways, to other areas within the office. This is an effective source of not just ambient lighting but also cutting edge task lighting. Arguably it is also very decorative. The lighting uses the nLight lighting control options, which provide daylight dimming, occupancy detection and constant RECEPTION AREA lumen management. It also has remote user access which enables facilities managers to optimize energy savings , “perform system upgrades and conduct real -time, performance analyses and reporting.” Overall, This lighting should make a lasting impression on your visitors and is the cutting edge of commercial led lighting. source 2- arc linear led lighting
Reception area Lighting algorithm The next layer is the decorative “algorithm” vibia ia lighting, Designed by Toan Nguyen. (source 3) this will be a high end, dynamic visual, focal feature upon entering the reception area. It will not only add to the ambience but also add textural depth. Composed of blown glass spheres, with 2 watt dimmable led lights, suspended at different heights, depending upon the chosen design effect. These encapsulate the lace tassels as described within the concept. Awards Best of Year 2017 Archiproducts Design Award 2016 Architizer A+ Awards
Reception area To add further decorative and ambient lighting, We have included 3 decorative sphere lamps. (sourc ource e 4) These could be placed in the seating area of Light sources reception. The lights are of an organic aesthetic, skilfully cut from an orb of metal, balancing to one side putting forth a magnifying light onto the reception brick wall adding a great textured light visual. On the interior, a milky white glass disk shields the light source, evenly diffusing the light with subtle brightness.Using E27 LED 9W/2700K (60W) Dimmable bulbs, so the ambience can be adjusted accordingly, helping to create various atmospheres. “ The he laser er cutting ng allow ows full acce cess to the e light ht sou ourc rce, , crea eating ting light ght effects ts and intri rigu guin ing g and d precious shades, with its simple and timeless design.” Source 4 -Kelly Sphere Table Lamp ( lamp mpefeb feber) ) When your clients enter the building there will always be a second of anticipation as to whether they are in the correct location. To help reduce this, it is important that there is a strong visual, highlighting the company name “exclusive designs.” similar to that shown in sou ourc rce e 5- their experience then begins immediately at ease. “exclusive designs” will be placed on the back reception wall highlighted by the floor uplighters. The design has included the use of flexa tera 6 ip67 uplighters. (further details found in director rationale) The reception area already has plenty of natural light through the front two windows, so it is important that with such a variety of light sources, that the walls are of a suitable colour and texture, so that the lighting scheme is effective and fulfils the brief and not absorbed or conflicting with each other. In this design there is a mixture of brick, glass and white chalk matt paint, all of which will Source 5- accent floor and ceiling complement the proposed light sources. lighting
Recommend
More recommend
