CULMINATION PRESENTATION MILLENNIAL MILE-HIGH CLUB EPISODE 2B Presented By Robert A. McEachern
TABLE E OF CONTENT ENTS • Welcome/Introduction • Culmination Project 1. Project Orientation 2. Why I chose to direct a video production 3. Production History • Objectives • Roles & Responsibilities • Work Breakdown Structure (WBS) • Production Schedule • Production Specifications • Equipment Breakdown • Budget • Challenges • A Glance Back • Conclusion
CULMINATION PROJECT Project Orientation • “Millennial Mile - High Club” ( MMHC ) • A series consisting of 5 episodes • Episode 2B is the focal point Why direct a video? • Display technical and artistic abilities • Create something cool • Visual storytelling Backstory of MMHC Production
MILLENNIAL MILE-HIGH CLUB EP. 2B
OBJECTIVES • Communicate with crew/cast effectively • Conduct production meetings • Complete pre-production tasks in timely manner • Work efficiently • Lead by example • Direct crew and cast in the aesthetic for Ep. 2B • Guide editor in bringing forth vision for episode
ROLE & RESPONSIBILITIES Director/Producer/Screenwriter • Oversee entire production process • Write episodes • Scout locations • Cast actors • Direct a crew ( 13 ) and cast ( 12 ) • View playback for continuity • Debrief AD and team • Collaborate with editor
Aryan Zamanzadeh – AD/Grip Zechariah Philippe – Producer Anthony Cruz – Project Manager Jason Llaguno – Cinematographer Cristian Duman – Assistant Cameraman Eugene McManus – Boom Operator Edwin Mendez – BTS Photographer Allison Ramnarine – Props/Wardrobe Nicholas Pedroza - Editor Production Assistants: • Alejandro Suquisupa • Jashiya Smith • Onijah Lee • Miguel Contla MMHC 2B CREW
WORK BREAKDOWN STRUCTURE • Write episode 2B script • Draft work breakdown structure ( WBS ) • Cast actors • Prepare shot list • Order props • Set shoot dates • Load in/Set dress • Bring on editor
PRODUCTION SCHEDULE • Pre- production: Aug. ‘19 – Oct. ‘19 -Write 2B script -Cast actors -Refine logistics -Set shoot dates -Clean set • Production: Oct. ‘19 Day One 10/19, Day Two 10/20 -Load-in Type equation here. -Fixture install -Set dress -Rehearse -Shoot • Post- production: January ‘20 – May ’20 - Initial meeting w. editor -Assembly ( Select optimal clips ) -Rough cut ( Implement basic cuts ) -Medium cut ( Adjust audio ) -Fine cut ( Adjust color )
PRODUCTION SPECIFICATIONS • Screenwriting • Casting • Set Dressing • Lighting • Camera Specs • Directing
EQUIPMENT BREAKDOWN • Lighting -Par LED Strobe Lights (4) -Softbox (1) -Practicals (7) • Camera -Nikon D3200 (DSLR) -f.stop 1.8 -ISO 800 -Frame rate 29.97 • Props -Household items (Knick-knacks) -Borrowed props -Purchased items 1. Rubber guns (2) 2. Police badge (2) -Constructed props 1. Prop gun 2. Fake blood
BUDGET BREAKDOWN • Equipment $898.91 • Expendables $55.75 • Props $193.21 • Food $306.74 Total: $1,454.61
CHALLENGES • Organizing/Rallying core production team • Role change • Inconsistent communication of crew members • Trusting team members to accomplish tasks • Managing personal tasks • Counter-productive behavior of production team • Fallout with key crew member
A GLANCE BACK • First time directing a production this large • Manage time more efficiently • Select crew members with wisdom and insight • Communicate expectations in a clear and concise fashion • Accurately prepare for production • Delegate responsibilities/tasks in a comprehensive manner • Trust crewmates • Have fun • Not be afraid to lead or address an issue
CONCLUSION • Recap • Current Production • Future Plans/Intentions • Thank You • End Thank You to The New York City College of Technology ENT Department, The Y Cre8te Films? Production Crew, & to The MMHC Cast.
Recommend
More recommend
