CONFRONTATION FOR INTROVERTS: Creative Strategies for Sensing and Expressing Teaching As Art WINNIE YOE | MARCH 2 1
Why? 2
WHY Narrow Distances , Ka-Man Tse WINNIE YOE CONFRONTATION FOR INTROVERTS: CREATIVE STRATEGIES FOR SENSING AND EXPRESSING 3
WHY Nov 2018 Apr 2013 Feb 2019 WINNIE YOE CONFRONTATION FOR INTROVERTS: CREATIVE STRATEGIES FOR SENSING AND EXPRESSING 4
WHY A Protest Against the Monumental , Performed in Hanover, NH, 2014 WINNIE YOE CONFRONTATION FOR INTROVERTS: CREATIVE STRATEGIES FOR SENSING AND EXPRESSING 5
How? 6
HOW Workshop Structure No speaking required Part 1: Warm-up Part 2A: Create a bodily Appendage(~30mins) Speak if you would like to Part 2B: Sharing WINNIE YOE CONFRONTATION FOR INTROVERTS: CREATIVE STRATEGIES FOR SENSING AND EXPRESSING 7
HOW Artist References: Ann Hamilton Body Object Series, 1984-1989 WINNIE YOE CONFRONTATION FOR INTROVERTS: CREATIVE STRATEGIES FOR SENSING AND EXPRESSING 8
HOW Artist References: Lygia Clark Diálogo de Mãos (Hand Dialogue) , 1966 Máscara abismo (Abyssal mask) , 1968 WINNIE YOE CONFRONTATION FOR INTROVERTS: CREATIVE STRATEGIES FOR SENSING AND EXPRESSING 9
HOW Artist References: Kathleen McDermott Urban Armor #4: The Heavy Petter , 2014 Urban Armor #10: The Power Suit , 2018 WINNIE YOE CONFRONTATION FOR INTROVERTS: CREATIVE STRATEGIES FOR SENSING AND EXPRESSING 10
HOW Appendage (Made in 30mins) WINNIE YOE CONFRONTATION FOR INTROVERTS: CREATIVE STRATEGIES FOR SENSING AND EXPRESSING 11
HOW Appendage Ideas - Extends one part of the body - Connects one part of the body to the other - Restricts body movements - Changes your view of vision - Shields you from the environment - Changes how you touch the environment WINNIE YOE CONFRONTATION FOR INTROVERTS: CREATIVE STRATEGIES FOR SENSING AND EXPRESSING 12
THANK YOU Edward del Rosario, Gerald Auten, Stacey Derosier, Luca Molna, Lexi Campbell, Céline Lastennet who’ve helped shape my practice and perspectives Hannah Tardie, Shuju Lin, Emily Lin for help with this workshop WINNIE YOE CONFRONTATION FOR INTROVERTS: CREATIVE STRATEGIES FOR SENSING AND EXPRESSING 13 13
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