emilie la marquise du ch telet defends her life tonight
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Emilie: La Marquise Du Chtelet Defends Her Life Tonight Casey Venema Love is a fearless act of connection that unfurls on an infinite scale. Atmosphere: The Liminal Performance Space How many performance spaces are there? Who is the


  1. Emilie: La Marquise Du Châtelet Defends Her Life Tonight Casey Venema

  2. Love is a fearless act of connection that unfurls on an infinite scale.

  3. Atmosphere: The Liminal Performance Space How many performance spaces are there? Who is the performer? Who is the audience? Why are her memories presented in this way?

  4. The experiment

  5. Atmosphere: Whimsy of Memory What/who do you remember? How do you remember it? What do you forget? What do you change? What do you create?

  6. The experiment

  7. Atmosphere: Entanglement How can the space be connected across distance? How do we connect the space to the performers? How do we connect the performers to each other? How do we give the feeling of distinct entities that are intrinsically connected? How do we connect the audience to everything?

  8. The experiment

  9. Core shape: Concentricity (infinities of scale) What is the extent of the concentricity? How do we show concentricity in the performers? How can we allow the space and the characters to unfold and contract?

  10. The experiment

  11. Core Shape: Orbits What things did Emilie orbit around? Who/what in a relationship has more gravity? Who/what is the satellite and who/what is the axis? What does it look like when multiple people orbit around the same thing?

  12. The experiment

  13. Core Shape: Connections and Gaps How do we represent the interior connections physically? What comes from the gaps in memory? What does a missed connection look like? How can actors physically interact with places of connection and places of gaps?

  14. The experiment

  15. Central Verb: to Unfurl How does the play/characters unfurl? What opens, what closes? When do things expand, when do they contract?

  16. The experiment

  17. Central Verb: to Reach... What are the different ways of reaching ? What do we reach for? How can we facilitate the motion of reaching for distant things?

  18. The experiment

  19. Important Links PINTEREST Director’s Book Name on Pinterest: Work in Progress ● Contains: ● Casey Venema Research ○ Resources ○ https://www.pinterest.com/cavkiwich http://emilielamarquiseduch ● ick/ atelet.blogs.bucknell.edu

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