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. Electronic Locator of Vertical Interval Successions . Julie Cumming, Christopher Antila, and Others Montral Digital Humanities Showcase UQAM 24 January 2014 . . . . . . . . . . . . . . . . . . . . .. . . .. . ..


  1. . Electronic Locator of Vertical Interval Successions . Julie Cumming, Christopher Antila, and Others Montréal Digital Humanities Showcase UQAM 24 January 2014 . . . . . . . . . . . . . . . . . . . . .. . . .. . .. . .. .. . .. . .. . . .. . .. . .. .. . .. . . .. . .. .. . .. . .. . .. . .. . .. . Cumming, Antila, et al. ELVIS

  2. . Inspiration John Sinclair’s Corpus, Concordance, Collocation (1991) What are the most commonly repeated patterns in polyphonic music? We still don’t understand counterpoint . . . . . . . . . . . . . . . . . . . . .. . . .. . .. .. . .. . .. . .. . .. . . .. .. . .. . .. . . .. .. . .. . .. . .. . .. . .. . .. . Cumming, Antila, et al. ELVIS

  3. . Contrapuntal Modules . . . . . . . . . . . . . . . . . . . . . .. . .. . .. .. . .. . .. . .. . .. . .. . . .. .. . .. . .. . .. . . .. .. . .. . .. . .. . .. . Cumming, Antila, et al. ELVIS

  4. . Online Database More than 6000 pieces Focus on early music Score-like symbolic formats . . . . . . . . . . . . . . . . . . . . . .. .. . .. . .. . .. . . .. . .. . .. .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . Cumming, Antila, et al. ELVIS

  5. . VIS Framework Modular, extensible Python API Well-documented Well-tested Foundation for the future . . . . . . . . . . . . . . . . . . . . .. . . .. . .. .. . .. . .. . .. . .. . . .. .. . .. . .. . . .. .. . .. . .. . .. . .. . .. . .. . Cumming, Antila, et al. ELVIS

  6. . Counterpoint Web App Built on the VIS Framework Contrapuntal module analysis Easy for non-programmers Visit counterpoint.elvisproject.ca . . . . . . . . . . . . . . . . . . . . .. . . .. . .. .. . .. . .. . .. . .. . . .. .. . .. . .. . . .. .. . .. . .. . .. . .. . .. . .. . Cumming, Antila, et al. ELVIS

  7. . Import . . . . . . . . . . . . . . . . . . . . . .. . .. . .. .. . .. . .. . .. . .. . .. . . .. .. . .. . .. . .. . . .. .. . .. . .. . .. . .. . Cumming, Antila, et al. ELVIS

  8. . Choose Parts . . . . . . . . . . . . . . . . . . . . . .. . .. . .. .. . .. . .. . .. . .. . .. . . .. .. . .. . .. . .. . . .. .. . .. . .. . .. . .. . Cumming, Antila, et al. ELVIS

  9. . Experiment . . . . . . . . . . . . . . . . . . . . . .. . .. . .. .. . .. . .. . .. . .. . .. . . .. .. . .. . .. . .. . . .. .. . .. . .. . .. . .. . Cumming, Antila, et al. ELVIS

  10. . Visualize . . . . . . . . . . . . . . . . . . . . . .. . .. . .. .. . .. . .. . .. . .. . .. . . .. .. . .. . .. . .. . . .. .. . .. . .. . .. . .. . Cumming, Antila, et al. ELVIS

  11. . Research . . . . . . . . . . . . . . . . . . . . . .. . .. . .. .. . .. . .. . .. . .. . .. . . .. .. . .. . .. . .. . . .. .. . .. . .. . .. . .. . Cumming, Antila, et al. ELVIS

  12. . More Information ELVIS Project Website elvisproject.ca Julie Cumming julie.cumming@mcgill.ca Christopher Antila christopher@antila.ca And visit our poster! . . . . . . . . . . . . . . . . . . . . .. . . .. . .. . .. .. . .. . .. . . .. . .. . .. .. . .. . . .. . .. .. . .. . .. . .. . .. . .. . Cumming, Antila, et al. ELVIS

  13. . Bonus: the Database Website . . . . . . . . . . . . . . . . . . . . . .. . .. . .. .. . .. . .. . .. . .. . .. . . .. .. . .. . .. . .. . . .. .. . .. . .. . .. . .. . Cumming, Antila, et al. ELVIS

  14. . Bonus: Module in Music . . . . . . . . . . . . . . . . . . . . . .. . .. . .. .. . .. . .. . .. . .. . .. . . .. .. . .. . .. . .. . . .. .. . .. . .. . .. . .. . Cumming, Antila, et al. ELVIS

  15. . Bonus: the Bar Graph . . . . . . . . . . . . . . . . . . . . . .. . .. . .. .. . .. . .. . .. . .. . .. . . .. .. . .. . .. . .. . . .. .. . .. . .. . .. . .. . Cumming, Antila, et al. ELVIS

  16. . Bonus: Score Summary . . . . . . . . . . . . . . . . . . . . . .. . .. . .. .. . .. . .. . .. . .. . .. . . .. .. . .. . .. . .. . . .. .. . .. . .. . .. . .. . Cumming, Antila, et al. ELVIS

  17. . Bonus: Composer Comparison . . . . . . . . . . . . . . . . . . . . . .. . .. . .. .. . .. . .. . .. . .. . .. . . .. .. . .. . .. . .. . . .. .. . .. . .. . .. . .. . Cumming, Antila, et al. ELVIS

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