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Data Visualization Principles: Other Perceptual Channels CSC444 Acknowledgments for todays lecture: Tamara Munzner, Miriah Meyer, Colin Ware, Christopher Healey PREATTENTIVENESS, OR VISUAL POP-OUT ORIENTATION Christopher Healey,


  1. Data Visualization Principles: Other Perceptual Channels CSC444 Acknowledgments for today’s lecture: Tamara Munzner, Miriah Meyer, Colin Ware, Christopher Healey

  2. PREATTENTIVENESS, OR “VISUAL POP-OUT”

  3. ORIENTATION Christopher Healey, http://www.csc.ncsu.edu/faculty/healey/PP/index.html

  4. WIDTH/LENGTH Christopher Healey, http://www.csc.ncsu.edu/faculty/healey/PP/index.html

  5. SIZE Christopher Healey, http://www.csc.ncsu.edu/faculty/healey/PP/index.html

  6. Mixing is not always pre- attentive

  7. Preattentiveness is only simple to understand when considering one channel at a time.

  8. VISUAL CHANNELS YOU SHOULD BE CAREFUL WITH, EVEN IN ISOLATION

  9. 3D is ok only if data is Naomi Robbins, forbes.com

  10. 3D, when data isn’t • Perspective interacts with size and color judgments • Occlusion is bad, often unnecessary Naomi Robbins, forbes.com

  11. Animations • We perceive motion, and regularity, even when none might be intended • http://en.wikipedia.org/wiki/File:Lilac-Chaser.gif • And it interacts badly with the rest of our perceptual system

  12. Animations • limit them to data transitions , preferably controlled by interaction www.gapminder.org

  13. GESTALT PRINCIPLES

  14. GESTALT PRINCIPLES • General idea: we interpret stimuli as patterns that are grouped, complete, whole • Even when they aren’t

  15. GESTALT: CONTAINMENT A B A B A Objects inside closed shapes appear related, even when they’re far apart

  16. HIGHER-LEVEL CHANNELS WE ARE STILL STUDYING

  17. Overlays for bivariate maps Ware 2009 TVCG

  18. Overlays for bivariate maps Ware 2009 TVCG

  19. Perception of higher-level features • Correlation perception follows Weber’s Law (!) Harrison et al., TVCG 2014

  20. Perception of higher-level features • Correlation perception follows Weber’s Law (!) Harrison et al., TVCG 2014

  21. Perception of higher-level features • Correlation perception follows Weber’s Law (!) Harrison et al., TVCG 2014

  22. Recap • Consider how data behaves • Can you add? Subtract? Compare? • Is there a smallest, or a neutral value? • Is there a notion of “negative”? • Are values just di ff erent from one another? • Consider how visual channels behave • then match the two appropriately

  23. • Consider how the basic visual channels behave, match the two appropriately What if they don’t match?

  24. “WEIRD” DATA (A prelude to techniques)

  25. Orientation vs. Direction https://www.ncl.ucar.edu/Applications/evans.shtml

  26. Orientation vs. Direction http://www.datapointed.net/2014/10/ maps-of-street-grids-by-orientation/

  27. Orientation vs. Direction Demiralp et al. 2009

  28. Orientation vs. Direction Demiralp et al. 2009

  29. Orientation vs. Direction This is a bad colormap. Why? Demiralp et al. 2009

  30. Orientation vs. Direction This is a bad colormap. Why? Kindlmann, 2004

  31. Orientation vs. Direction Demiralp et al. 2009

  32. Orientation vs. Direction

  33. Orientation vs. Direction Demiralp et al. 2009

  34. Extra slides

  35. Simpson’s “Paradox”

  36. Simpson’s “Paradox”

  37. Simpson’s “Paradox”

  38. Probability Distributions • Map behavior of conditional distributions, marginal distributions, etc. to visual channels: Product Plots, Wickham and Ho ff man, TVCG 2011

  39. Simpson’s “Paradox”

  40. GESTALT: SIMILARITY We use color to connect things into groups http://www.andyrutledge.com/gestalt-principles-1-figure-ground-relationship.php

  41. GESTALT: PROXIMITY We use distance to connect things into groups http://www.andyrutledge.com/gestalt-principles-1-figure-ground-relationship.php

  42. GESTALT: CLOSURE We see closed shapes, even when they’re not there

  43. GESTALT: CONTAINMENT

  44. GESTALT: CONTINUITY We see simple, connected figure/ground shapes rather than complicated shapes

  45. GESTALT: FIGURE/GROUND We see simple, connected figure/ground shapes rather than complicated shapes

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